Sunday, June 17, 2012
Never thought I'd say this, but Moonrise Kingdom was too "Wes Anderson-y". All the familiar affectations of his films are there: kids acting like adults, quirky camera work, quirkier music, adults with extremely dysfunctional relationships, characters with odd affectations... but this time it's just too contrived, too forced. It's like Wes Anderson trying to make a Wes Anderson movie. And for his fans who thought he went too off-course with Life Aquatic (what with the gunplay and all), this one has its own jump-the-Wes-Anderson-shark moments. Particularly in the finale when our three main characters are dangling precipitously from the church tower. And then all of a sudden it's over and everyone's safe. One of the endearing traits of his characters is that everyone is so matter-of-fact about their respective flaws/quirks/affectations. But this time it never felt quite right. Everything is a metaphor. The woman who works for Social Services is addressed as Social Services. It also marks the second time that he's killed the dog. As much as I hate to say it, I'd say pass on this one.