(doing my best to leave spoilers out)
It’s a good movie. It’s definitely enjoyable. Unfortunately for its box office prospects it’s not a popcorn movie- the requisite for which is pretty much just massive CGI with little to no plot. “Leave your critical thinking at the door” kind of action, like the MIB franchise (which I admit is what I consider “Hollywood dreck” from a creative standpoint; as a cinephile, however, I appreciate it for what it is: large-scale, fun, CGI spectacle). I really want this movie to do well, but as a mix of contemporary history and vampire action flick they would've been just as well off naming this "Abraham Lincoln: Box Office Poison."
It’s a good movie. It’s definitely enjoyable. Unfortunately for its box office prospects it’s not a popcorn movie- the requisite for which is pretty much just massive CGI with little to no plot. “Leave your critical thinking at the door” kind of action, like the MIB franchise (which I admit is what I consider “Hollywood dreck” from a creative standpoint; as a cinephile, however, I appreciate it for what it is: large-scale, fun, CGI spectacle). I really want this movie to do well, but as a mix of contemporary history and vampire action flick they would've been just as well off naming this "Abraham Lincoln: Box Office Poison."
I think the biggest complaint I hear about this movie is
people saying “Hollywood’s
gone too far” or something to that effect. That the idea of a President- an iconic
historical figure, someone integral to the creation of our very country- can be
reimagined in a supernatural environment is laughable. In a previous post, I
railed against that limiting, dream-killing, unimaginative mentality, so in
order to not beat a dead horse on that subject I’ll simply address it this time
with: Fuck that, this is what Hollywood
is all about! It’s easy to make up shit about tornadoes taking people to
magical lands of elves and faeries, or interplanetary galactic rebellions. But
when you splice fantasy and history together? When you take actual historical
reality and add mythology to it? That is just as good storytelling if not
better, because you have an existing framework that you have to work within.
You can’t just make it up as you go along. And in this case there are actually two sets of constraints: our history itself,
and the generally accepted “rules” of the vampire mythos. No mean feat to craft
a story that conforms to both.
Some of the plot twists you could see coming a mile away1. Which isn’t necessarily
bad, it’s just subpar storytelling. And this movie has a story to tell. Saying that
not all movies have a story to tell may sound counterintuitive, but it’s true.
Some movies (the aforementioned “popcorn” movies, shoot-em-ups, comedies…) seek
only to entertain. And there’s nothing wrong with that. I love me some Boondock
Saints. But this movie is telling a story. And that in itself proves to be a
formidable obstacle: Lincoln’s
actual life would be enough to fill
hours and hours of screentime; adding a creative fantasy flourish to an already
dense narrative leads to inevitable plot holes and unanswered questions2. But again, if you’re
willing to take this movie at face value, if you’re willing to let Hollywood tell you a story that’s this
preposterous, you have to expect that to come with the territory.
Sure, the movie comes equipped with some tired clichés: the “training”
montage is pure Action Movie 101 cheesetasticness. You don’t have to love it,
but damn, don’t hate; this is what you go to the movies for- for “what if”
imaginary scenarios. You and I both know that martial arts are an anachronism
here, as foreign to 19th century America as sushi, but fuck does it
look cool. This is Timur Bekmambetov at his best.
And although it may not be his most visually arresting movie (Daywatch), there’s
plenty of style here. The fight scenes are amazing to watch so just go with it.
Say what you want, but the image of a 50-year old Lincoln swinging around an axe like a goddamn
samurai is amazing. That’s what Hollywood
is all about- creativity. And if you insist on being closed-mindedly resistant
to the thought of Lincoln- who, in actual real life, was an adept axman and
strong wrestler- being a flashy fighter, if you insist on not stretching the
boundaries of what’s possible, I have one word for you: Quidditch.
The love story is uninspired, boring. There was nothing to
really draw the audience in, to make it remarkable or even interesting. In
fact, if it wasn’t a part of history it probably wouldn’t have been included.
Kind of a waste of opportunity to deepen the story, or at least the characters.
Which was probably my biggest complaint- WAY underdeveloped characters. For
example, Speed: why did he like Lincoln
so much?3 (PS- Yeah McPoyle!!!)
If this was just a Civil War era vampire drama, it’d be a
middle of the road entertaining-but-not-incredible vampire movie. A hell of a
lot better than Van Helsing, probably better than Underworld. Maybe somewhere near
From Dusk til Dawn for sheer entertainment value. So leave your bullshit
preconceptions at the door and enjoy it.
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SPOILERS AND SHIT!!!
1) Henry
being a vampire
2) like,
How did weeks at a time, and ultimately two entire decades, go by with absolutely
no vampire activity in his life? Especially when he had established himself as
scourge of the undead?
3) Speed
even became an advisor later in Lincoln’s
life. Also, did Lincoln
never meet anyone else again in his life? Two decades later, his circle of
friends still consists of Speed (the first person he met in town), William (his
childhood friend), Mary (his love), and Henry (the man who saved his life). Not
very dynamic for such a charismatic man.
There were some unnecessary plot devices. They liked to
quote each other, for one thing. I think there were 3 times in the movie that
someone said “A wise man once told me…” and then repeated some pearl of wisdom
that one of them had spoken earlier. And when Abe proposed to Mary, the camera
stayed on his axe as they walked away, just in case you didn’t get that he was leaving that part of his life behind. Also,
his “A-ha!” moment about silver weapons for his troops at war was more of a “Duh!”
moment for the audience.
There were definitely some ridiculous elements- Mary
standing on his hat was implausible at best; 2 men sharing an axe to fight in
tandem was just goofy; the stagecoach rescue/sideswipe was absurd. But take the
good with the bad. Some were downright unforgiveable though- that CGI horse
stampede was horrible. And I say this as a man who went along with the “infected”
from I Am Legend (just as a frame of reference). Sooooo bad. They ran with
horses, and I kept thinking “OK, the horses will be gone soon and we’ll get
back to some physical combat.” But no, they kept
running with the horses. They ran across the horses’ fucking backs. Dude actually
picked up and THREW a horse at Lincoln.
Ugh. And lastly, the train/bridge scene… remember the scene in Speed? Where
they all had to lean or some bullshit so the bus could jump the gap in the
freeway? Remember how fucking retarded that was? This is about as bad.
But all that being said, I still think it’s a good movie. A
fun movie, to be sure. A hell of an interesting concept. It just took itself a
bit too seriously. It needed to tread a little more into Dark Comedy territory.
Near the end, when 50-year old Lincoln
realizes he has to come out of vampire hunting retirement and he begins to
practice his weaponry, he drops the axe. That scene wasn’t presented as funny,
more as a measure of his mortality, his faded skills. But it WAS funny. And at
the end when Mary calls up from the carriage “We’re late for the theater.” That’s
darkly comedic shit right there. If it was presented as such, and if there were
more of it throughout the movie, it’d be a much better show.
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